Download Påztema - Lars Hollmer - Viandra (CD, Album)
2007
Label: Arcàngelo - ARC-3008,Krax - KRAX 17 • Format: CD Album • Country: Japan • Genre: Jazz, Rock, Folk, World, & Country • Style: Folk Rock, Avantgarde, Prog Rock


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8 Comments

  1. View credits, reviews, tracks and shop for the CD release of Viandra on Discogs. Label: Arcàngelo - ARC,Krax - KRAX 17 • Format: CD Album • Country: Japan • Genre: Jazz, Rock, Folk, World, & Country • Style: Folk Rock, Avantgarde, Prog Rock5/5(1).
  2. Viandra Accordion, Mellotron, Keyboards – Lars Hollmer: 2: Mirror Objects Accordion, Mellotron – Lars Hollmer: 3: Sök = Seek Accordion, Keyboards, Glockenspiel, Percussion – Lars Hollmer Cello – Andreas Tengberg English Horn – Michel Berckmans Violin – /5(8).
  3. Discover releases, reviews, credits, songs, and more about Lars Hollmer - Viandra at Discogs. Complete your Lars Hollmer collection/5(9).
  4. Jan 16,  · Active in music for over 40 years, Lars Hollmer first got together with his friends to play music in late-'60s Sweden. This band eventually became the legendary 'Rock In Opposition' band Samla Mammas Manna. Concurrently towards the end of Samla's origin.
  5. Discogs: CD, Viandra. リリースのクレジット、レビュー、トラックを確認し、購入。5/5(1).
  6. Viandra by Lars Hollmer, released 1. Viandra 2. Mirror Objects 3. Sök (Seek) 4. Snabb (Fast) 5. Moldaviska 6. Påztema 7. Prozesscirk 8. Merged With Friends 9. Konstig (Strange) Baladeis Strutt (Strut) Lilla Bye (Little Bye) Första 05 (First 05) Alice Överdagö Folkdron Menad The following was written before Lars' early death of cancer at age
  7. Issued in Japan through Disk Union in late and in the U.S. by Cuneiform in May of , Viandra (which translates as "We + Others") was recorded and mixed between 20at Lars Hollmer's Chickenhouse studio in Uppsala, Sweden, amidst all the international projects that sent Lars packing up his accordion and rushing to the airport for the next flight out of Stockholm.
  8. Viandra follows in the same vain as many of Hollmer's previous solo albums where he plays accordion/keyboards and the tracks feature a couple of guest appearances but there are a few subtle differences this time around. Granted that Lars Hollmer's previous albums never sounded forced or uninspired I would actually like to state that this /5(1).

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